Hebrews 2

Carlton Young has set many texts by Charles Wesley, and presents here a very distinctive setting that involves speaking/narration as well as the singing of a simple, canonic melody. A series of slightly

Carl Daw's Advent/Christmas text celebrates the coming of the "Word for whom creation sings." Alfred Fedak's setting is available for choir with keyboard and flute (or other C instrument), and also in the

Richard Leach's memorable text is inspired by the Greek theological word for the three-in-one interwoven nature of the Holy Trinity: "perichoresis," literally meaning "dance around." The first three stanzas

This setting of the evening canticles is for treble voices and organ; it is largely in two vocal parts throughout, with some minor divisi. The dance-like Magnificat makes effective use of

These five unaccompanied pieces by Sarah MacDonald are useful as introits or short anthems throughout the church year. Although several can be attached to certain feasts, seasons, or occasions (Eastertide,

This creation-focused text is set beautifully by Craig Phillips. The piece is very well crafted and engaging. Suitable for Thanksgiving or any service focused on creation.

With a text by Richard Leach, this is a hymn setting that celebrates God's glory filling the earth. The music is broad and stirring, suitable for use with congregation. Powerful!

This is a rich and glorious anthem in the spirit of Phillips’s popular The Risen Sun. Words from the book of Romans serve as the text, which speaks of "being not conformed to the world." The

A short introit, and will be especially enjoyed by all who love music with its text from the Psalms.

Selah's ongoing series of anthems to texts by the great Welsh poet George Herbert continues with a setting of this beloved text of praise. David Ashley White has written a festive anthem with optional parts

Commissioned by St. Paul's Episcopal Church in Albany, New York, in memory of Katherine Anne Onufer. A beautiful and moving setting of this little-known text from Helen Keller. The optional oboe has an

An unaccompanied motet for SAB voices (with very occasional divisi) that is a worthy addition to the small repertoire of contemporary three-part choral music. The text by James Quinn, S.J. is a prayer

This exquisite motet by sister and brother duo Elizabeth and Thomas Coxhead has already seen many performances and is sure to become a favorite of many choirs. The music is simple and lyrical, supporting

Cooman's setting of the first verse of Psalm 115 begins with a prayerful, litany-like character. The music builds in intensity, leading to a joyous celebration of God's "love and faithfulness," and a

This paraphrase of 1 Corinthians 13 by writer Dudley Smith is excellent for times of personal dedication and ministry. It is mostly unison with more harmony and a descant for the final verse. The

Annabel Rooney has written a richly beautiful setting of the familiar Latin prayer meaning "Light born of light." Beginning with a simple texture, the lush added-note harmony ebbs and flows expressively

In this anthem, Ambrose of Milan's grand text is set to a plainsong-like melody and treated in several contrasting ways before a large conclusion.

Sarah MacDonald wrote this set of treble-voice responses for her Ely Cathedral Girls' Choir with the intention that they be "easy and stress-free" (especially for times when the students were busy with

Alice Parker's haunting portrayal of Richard Leach's text is engaging and picturesque. Moving lines intertwine to allow the listener to experience the setting. The accompaniment features drones and flowing

Alice Parker brings her wealth of skill and experience to bear on Gracia Grindal's adaptation of a 17th-century text about life's difficulties and heaven's rewards. Those familiar with this eminent